Struggling to respond…

I have just been given the opportunity to respond to a review of my book which is about to appear in my guild’s main journal. It’s a highly critical review, hence the opportunity to respond. But what is so hard for me is that the two things the reviewer is most concerned about — my commitment to collaborative learning, and my belief that theology needs to speak in the midst of media culture — are so central to my work that part of me wants to simply say, ok, you’re right, that’s what this book is about and if you disagree with these fundamental assumptions, this book is not for you.

But I think that’s taking the easy way out. I’d like to find a way to help this reviewer — or, at least those people who read the review from the reviewer’s perspective — to consider how collaborative learning might actually open up possibilities they hadn’t previously imagined. The main sticking point seems to be a commitment to transfer of content, and the perception that transferring specific content can be done without respect for the learner’s previous knowledge or commitments. There’s almost a consensus amongst education scholars that that’s not possible — perhaps only the most instrumental of scholars believes in what Freire called “banking education” — but if you’re a theologian who won’t take education research seriously, what might help to change your mind?

I suppose the primary route would be a sustained theological argument. Which, of course, was not what my book set out to do. But if I WERE to try and make such an argument, it would again start at the foundational assumption that God is actively moving in the world, even now, and that serious discernment is appropriate in response.

I wish I had the eloquence of Paul Ricoeur. NextReformation quotes him today:

“…in the language of Paul Ricoeur the theological task today is to begin with a hermeneutics of appreciation which seeks to discern - like a poet offering language that gives meaning to people’s experience by inviting them into a space of new possibilities or a mid-wife detecting the rhythms of a birth that has begun but not pressed out - the narratives under the narratives among the faithful living in a strange liminal place.”

My hunch — actually more than a hunch, the foundation upon which I write — is precisely this one, that we need to walk alongside of people today and help them dig deeply into the meaning they’re creating. And that in order to do so, particularly in theological education, we need to take seriously the contexts and perspectives with which they begin. That doesn’t assume agreement, it just assumes a willingness to start with respect. But how to invite such respect from scholars who want to begin by ruling it out of order? I think that’s the main dilemma I’m facing at the moment.

What I’d MOST like to do is get a copy of the review out on the web, and invite a wide range of people to engage it, that way facilitating a real discussion. But of course, that would violate copyright, and in any case, many of the people most likely to disagree with my book do not interact on the web, anyway. Sigh.

I’m still struggling with this, and I wonder what I’ll end up writing. Perhaps when I’ve got something started, I’ll post it here…

3 Comments

tonylorenzen commented on 30 June 2007:

Mary,
It sounds as if you're in a situation akin to having a discussion about scripture with a Biblical fundamentalist. You're not going to get anywhere because you begin the conversation with a set of mutually exclusive assumptions about the text.

You can't have a discussion about the documentary hypothesis with somebody who believes every jot and tittle was dictated by the Almighty.

Mary, when it comes the religious education, you're playing jazz and they're still reading the score.

"There are some people that if they don't know, you can't tell them."

"We all do 'do, re, mi,' but you have got to find the other notes yourself."

and

"If you have to ask what jazz is, you'll never know."

- Louis Armstrong

However, Satchmo also said:

"I never tried to prove nothing, just wanted to give a good show. My life has always been my music, it's always come first, but the music ain't worth nothing if you can't lay it on the public. The main thing is to live for that audience, 'cause what you're there for is to please the people."

And that's where I hear you're at now. Know I'm praying for you, as always.

Tony

gotta love Satchmo

hessma commented on 30 June 2007:

You all are so supportive! But I'm also very much interested in reaching out to people who, for a variety of reasons, don't begin with the same assumptions. That was part of the intent of my book in the first place, and partly why it's so painful to discover that -- at least for one reader -- I didn't succeed. Blessings, Mary

scribbler commented on 30 June 2007:

I can't agree more with what Tony said, as what you approach the conversation with are as different as night and day. This debate is long-standing in the literacy field (aka - whole langauge vs. phonics as reading instructional methods/processes) and with my past experience in this field I know how much of a struggle it can be. Afterall, how do you begin a responsive conversation with one(s) who's position is polar opposite? I pray that you can boldly articulate and convey your position in a way that enables the critic to truly hear what you say and engage in dialog - and if not the critic the larger community. Peace. Kim